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CHAN: Sonnets and Devotions in the Wilderness
 

Six kundimans for ensemble, voice, speaker trees, poets and baroque pipe organ

Photos of CHAN at MaerzMusik Berliner Festspiele Festival 2025 by Camille Blake. Scroll for photos 1-30.

World Premiere at Kaiser-Wilhelm-Gedächtniskirche in Berlin 

​​

March 26, 2025 

For MaerzMusik Festival / Berliner Festspiele

Cast

 

Don Mee Choi – poet
Logan February – poet


Otay:onii (Lane Shi) – soprano
Martin Nagy – tenor

Daniel Doña – viola
Caleb Salgado – double bass
Michiko Ogawa – bass clarinet
Jake Landau – acoustic guitar, electric guitar
Gunhildurr Einarsdottir – harp
Elena Kakaliagou – horn in F
Hilary Jeffery – trombone
Sebastian Heindl   –  pipe organ 

John Broback – speaker design and realisation of the speaker tree sculpture

Susie Ibarra – composition, drumset,  gongs and percussion, design of the speaker tree sculpture

Photos by Camille Blake

Commissioned by MaerzMusik / Berliner Festspiele, produced by MaerzMusik / Berliner Festspiele and DAAD Artists-in-Berlin Program. Susie Ibarra is a 2024/25 Music & Sound fellow of the DAAD Artists-in-Berlin-Program. This project has been developed during her residency in Berlin with curatorial support by Dahlia Borsche and Sebastian Dürer.

CHAN: Sonnets and Devotions in the Wilderness comprises six kundimans by Filipinx-American composer, percussionist and sound artist Susie Ibarra. The kundiman is a genre of traditional Filipino love song, in this case an expression of Ibarra’s love for nature, dedicated to landscapes that are dear to her after having lived or spent time near them: the migrating beech trees of the medieval forests of Germany; the Warsaw-Berlin ice-marginal spillway; Lake Tsongmo, a sacred glacial lake in the Himalayan Mountains of North Sikkim, India; and the Pasig River along the Manila Bay in Luzon. Historically, this river in her homeland was culturally important as a source of water and a route for travel. Despite the fact that it was declared biologically dead in 1990 after decades of industrial development, more recently it has seen a revival, with various species of fish, birds and trees flourishing once again. 

In addition to composition, Ibarra’s interdisciplinary artistic practice includes performance, mobile sound-mapping applications, multichannel audio installations, recordings and documentaries. As well as co-running the label and publisher Habitat Sounds and leading ensembles such as Talking Gong, she works to sustain indigenous and traditional music cultures, advocates for the stewardship of glaciers and freshwaters, and engages in music and social education with women and girls in Morocco. For CHAN – which is the artist’s middle name, meaning “meditation” – Ibarra worked with poets Don Mee Choi and Logan February, with whom she shared a residency as part of the DAAD Artists-in-Berlin Program. Their words complement the six sonnets and devotions composed for ensemble, voice, speaker trees and baroque pipe organ. ​ 

CHAN : Sonnets and Devotions in the Wilderness

At the Gedächtniskirche Kaiser Willhelm Memorial Church 

Berlin DE. , MaerzMusik Berliner Festspiele 2025

Audio Recorded by Deustchelandfunk Kultur

Kundiman 1

Sacred Glacial Lake Tsmongo

Kundiman 3

Pasig River

For inquiries about CHAN and booking :

Susieibarrastudio@gmail.com

Speaker Tree Compositions with Poetry

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Photo by Camille Blake

Poet Don Mee Choi 

Speaker Tree 1_ Sacred Lake Tsomgo - Don Mee Choi
Speaker Tree 2_ To Try Touching Heaven - Logan February

Poet Logan February 

Photo by Jake Landau 

Speaker Tree Design by Susie Ibarra and John Broback

 

Speaker Tree Realization by John Broback

Sacred Glacial Lake Tsomgo

by Don Mee Choi

Pasig River 

by Don Mee Choi

Beech Forest From Ulleng Island to Rügen Island

by Don Mee Choi

Warsaw-Berlin Glacial Spillway

by Don Mee Choi

To Try Touching Heaven - A Kundiman-Sonnet Duo

by Logan February

CHAN: Sonnets and Devotions in the Wilderness 

26.03.2025

Kiser-Wilhelm-Gedächtnis-Kirch

Full Program

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